I have chosen to analyse JLS everybody in love, the genre of the track and the artist is portrayed in a very obvious fashion.

First of all the cover conforms to the typical boy band conventions as JLS are the focus of the picture and dominating the frame, furthermore the iconic signs of the city landscape in the background evokes there stardom as they are seen to be positioned above the skyline almost conveying a god like image. The most obvious of the linguistic signs is the large JLS logo with a star positioned in front of the J, once again this links with them being positioned a high above the ground as they are within touching distance of the stars and have reached the top of the music industry and are a very popular boy band.
All four members of the boy band appear to be smiling and acting in an informal manner connoting an approachable side to the boy band. You can draw parallels between the way they are positioned in the frame and Richard Dyers first paradox where stars need to appear to be ordinary and extraordinary at the same time. First of all they seem to be wearing basic clothing and sitting around acting as though a group of normal friends would however when the viewer takes into consideration the way the linguistic signs and the background create there star image JLS then become extraordinary once again.
The indexical sign that the JLS album cover creates is that of the younger generation who listen to mainstream popular culture music. Certain social myths are created that young men in society should conform to the physical aspects of JLS of being good looking and athletic. In my opinion the album cover connoted JLS as a promoting tool for there own success.
No comments:
Post a Comment